![]() ![]() In almost every picture is water, foiling Pamuk’s obsession with making permanent the ephemeral. In one image, a bird perches atop the finial of a mosque's dome, while construction cranes loom next to boxy skyscrapers in the backdrop. ![]() The lower floor is filled with oversized prints on textured, canvas-like paper, unadorned with frames the stone minarets of a 19th century mosque outside of Pamuk’s flat provide a natural boundary within many images.įrom a lofty distance, Pamuk’s telephoto lens only occasionally turns to the forces disfiguring an 8,000-year-old skyline. The exhibition dives straight into the book, its pages enlarged and hanging from the walls of a dimly lit upper gallery. Orhan Pamuk, Balkon (2018) Courtesy of Yapı Kredi Kültür Sanat ve Yayıncılık ![]()
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